ANDRÉ COURRÈGES´s Moongirl collection, Emilio Pucci´s costumes for Kubrick’s 2001 A Space Odyssey and Pierre Cardin
Courrèges’s 1964 Space Age collection unveiled, among other pieces, architecturally-sculpted, double-breasted coats with contrasting trim, well-tailored, sleeveless or short-sleeved minidresses with dropped waistlines and detailed welt seaming, and tunics worn with hipster pants. Vivid shades of pink, orange, green, and navy complemented the designer’s bold repeated use of white and silver. Accessories for each ensemble included oversized, white, tennis-ball sunglasses or goggles with narrow eye slits, gloves, helmet-shaped hats and other hats recalling baby bonnets, and square-toed midcalf boots made of soft, white kid leather.
“It was a perfect time to think silver. Silver was the future. It was spacey. Astronauts wore silver suits. And their equipment was silver, too. And silver was also the past. The Silver Screen. Hollywood actresses photographed in silver sets. And maybe more than anything else, silver was narcissism. Mirrors were backed with silver.” –Andy Warhol
“It was a perfect time to think silver. Silver was the future. It was spacey. Astronauts wore silver suits. And their equipment was silver, too. And silver was also the past. The Silver Screen. Hollywood actresses photographed in silver sets. And maybe more than anything else, silver was narcissism. Mirrors were backed with silver.” –Andy Warhol
